& there was just one train that went on for hours barrelling out of the clouds, & the turbaned engineer, who was himself a face taken from a meerschaum pipe, ruminated on the transiency of existence. Then somebody closed the venetian blinds.
Then god felt so tired he remembered he was only a bamboo stand with arthritis. That's life. He drank green tea. He'd rather smoke american cigarettes, these Gitanes give him an even worse headache. It's not easy having several arms, just think about it a minute. Ok, that's long enough.
In the next scene they travel to a cafe, it's called the Elephant's Bathtub. It's twilight of course because the sky's swarming with several tons of rhododendrons & silk moths & demons of course wearing bowlers & opera hats & puffing on their Garcia Y Vegas. The prince can't remember the words to I Can't Give You Anything But Love which he's supposed to sing at this point. The princess does her dance of rococo pathos. She's a crumpled pack of smokes.
It makes you think of powder blue snapdragons & revolving doors & god feels like an elevator in which it's raining & he has forgotten his umbrella again. It's disturbing. The birds of paradise & the pink flamingoes have broken loose from the zoo.
It doesn't matter how many Hudsons zoom past, the demons grinning gold-toothed from their running boards. There's no more love in the world, there are no more upright pianos the princess can lean on. There's hardly any dry land. It's a fiasco. There are so many eucalyptus trees out after midnight. There are so many cops. The prince is reduced to a hock shop, the princess has to sling hash for a living. The demons are chuckling like Zippo lighters & the ones that don't look like George Raft look like Edward G. Robinson, & no one can help our two lost lovers now it seems, not even Benny Goodman.
God's living on aspirin. One assumes time passes.
In the next scene they meet at the nightclub known as the Moon's Telephone. Under the palm trees etc under the skylight the devas circulate sporting purple orchids in their lapels until the air's awash in orchids & mambo notes some wearing natty sport coats & pleated trousers & what about those amethyst cufflinks, the rest wearing strapless dresses & pumps not to mention musical questions hoo-hooing mourning doves fluttering out of muted trumpets. There are 7-ups sending bubbles through the roof. Each one becomes a star of course, they make whopping costume jewelry. The prince gives the princess a 16th note spritzed with rosewater from a vaporizer & with the first 4 bars to I Surrender Dear. God remembers that after all he's really a small hotel & he's dazzling with constellations for neon lights at that. He opens his doors into Sunday. There's plenty of ice cream there. There's the moon & it's ringing: hello— hello.
The demons lam, the devas in pursuit. You think it's Packards & Hudsons until the jalopies grow wings.
There's the scene at the train station of course, you can't forget about that. Here come the prince & princess, they both catch the train on the run, floribunda sprouting from the smoke which may be actually fog which is actually their footsteps. The saxophones swing on the arms of the stars, Ginger Rogers & Fred Astaire should fox-trot like that. God sleeps at last like a big city sleeps. There's cream & sugar for everybody's coffee. Lotus blossoms float in every cup of course. A new one appears each time the clarinetist extrapolates another superabundant note. In the sleeper car which is really a greenhouse the prince & the princess have sex.
& there's just one train that rises on the Ganges into the infinite, & the elephant-headed engineer, who's himself a face taken from a meerschaum pipe, ruminates on the transiency of existence. Somebody draws the shutters.